Blue Velvet is a 1986 American neo-noir mystery thriller film written and directed by David Lynch. The film stars Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern, and is named after the 1951 song of the same name. The film follows a college student (MacLachlan) who returns to his hometown and discovers a severed human ear in a field, which leads him to uncover a criminal conspiracy involving a troubled nightclub singer (Rossellini).

Lynch's screenplay of Blue Velvet had been passed around multiple times in the late 1970s and early 1980s, with several major studios declining it due to its strong sexual and violent content. After the failure of his 1984 film Dune, Lynch made attempts at developing a more "personal story", somewhat characteristic of the surrealist style displayed in his first film Eraserhead (1977). The independent studio De Laurentiis Entertainment Group, owned at the time by Italian film producer Dino De Laurentiis, agreed to finance and produce the film.

Blue Velvet initially received a divided critical response, "...with his latest movie, 'Blue Velvet,' [Lynch] finds himself at the center of a national critical firestorm." with many stating that its explicit content served little artistic purpose. Nevertheless, the film earned Lynch his second nomination for the Academy Award for Best Director, and received the year's Best Film and Best Director prizes from the National Society of Film Critics. It came to achieve cult status. As an example of a director casting against the norm, it was credited for revitalizing Hopper's career and for providing Rossellini with a dramatic outlet beyond her previous work as a fashion model and a cosmetics spokeswoman.

In the years since, the film has been re-evaluated, and is widely regarded as one of Lynch's masterpieces and is frequently cited as one of the greatest films of the 1980s. Publications including Sight and Sound, Time, Entertainment Weekly and BBC Magazine have ranked it among the greatest American films of all time. In 2008, it was chosen by the American Film Institute as one of the ten greatest American mystery films.

Plot

College student Jeffrey Beaumont returns to his suburban hometown of Lumberton, North Carolina, after his father, Tom, has a near-fatal stroke. Walking home from the hospital, Jeffrey cuts through a vacant lot and discovers a severed human ear, which he takes to police detective John Williams. Williams's daughter Sandy tells Jeffrey that the ear somehow relates to a lounge singer named Dorothy Vallens. Intrigued, Jeffrey enters Dorothy's apartment by posing as a pest exterminator. While there, he steals a spare key while she is distracted by a man in a distinctive yellow sport coat, whom Jeffrey nicknames the "Yellow Man".

Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can break into her apartment. Dorothy returns home and undresses; she finds Jeffrey hiding in a closet and forces him to strip at knifepoint, but he retreats to the closet when Frank Booth, a psychopathic gangster and drug lord, arrives and interrupts their encounter. Frank beats and rapes Dorothy while inhaling gas from a canister, alternating between fits of sobbing and violent rage. After Frank leaves, Jeffrey sneaks away and seeks comfort from Sandy.

Surmising that Frank has abducted Dorothy's husband Don, and son Donnie, to force her into sexual slavery, Jeffrey suspects that Frank cut off Don's ear to intimidate her into submission. While continuing to see Sandy, Jeffrey enters into a sadomasochistic relationship with Dorothy, in which she encourages him to hit her. Jeffrey sees Frank attending Dorothy's show and later observes him selling drugs and meeting with the Yellow Man. Jeffrey then sees the Yellow Man meeting with a "well-dressed man".

When Frank catches Jeffrey leaving Dorothy's apartment, he abducts them and takes them to the lair of Ben, a criminal associate holding Don and Donnie hostage. Frank permits Dorothy to see her family and forces Jeffrey to watch Ben perform an impromptu lip-sync of Roy Orbison's "In Dreams", which moves Frank to tears. Afterwards, he and his gang take Jeffrey and Dorothy on a high-speed joyride to a sawmill yard, where he again attempts to sexually abuse Dorothy. When Jeffrey intervenes and punches him in the face, an enraged Frank and his gang pull him out of the car. Replaying the tape of "In Dreams", Frank smears lipstick on his face and violently kisses Jeffrey. Frank then has Jeffrey restrained and beats him unconscious, while Dorothy pleads for Frank to stop. Jeffrey awakens the next morning, bruised and bloodied.

While visiting the police station, Jeffrey discovers that the Yellow Man is Detective Williams's partner Tom Gordon, who has been murdering Frank's rival drug dealers and stealing confiscated narcotics from the evidence room for Frank to sell. After Jeffrey and Sandy declare their love for each other at a party, they are pursued by a car which they assume belongs to Frank; as they arrive at Jeffrey's home, Sandy realizes the driver is her ex-boyfriend, Mike. After Mike threatens to beat Jeffrey for stealing his girlfriend, Dorothy appears on Jeffrey's porch naked, beaten, and confused. Mike backs down as Jeffrey and Sandy whisk Dorothy to Sandy's house to summon medical attention.

When Dorothy calls Jeffrey "my secret lover", a distraught Sandy slaps him for cheating on her. Jeffrey asks Sandy to tell her father everything, and Detective Williams then leads a police raid on Frank's headquarters, killing Frank's men. Jeffrey returns alone to Dorothy's apartment, where he discovers Don dead and with his ear missing, and Gordon in a lobotomised state from being shot in the head. As Jeffrey leaves the apartment, the "Well-Dressed Man" arrives, sees Jeffrey in the stairs, and chases him back inside. Jeffrey uses Gordon's walkie-talkie to say he is in the bedroom before hiding in the closet. The "Well-Dressed Man" arrives at the apartment and Jeffrey observes he is actually Frank in disguise.

Jeffrey steals Gordon's gun and hides in the closet watching Frank search the apartment and kill Gordon. When Frank approaches the closet Jeffrey fatally shoots him when he opens the door. Moments later, Sandy and Detective Williams arrive.

Some time later, Jeffrey and Sandy have continued their relationship, Tom Beaumont has recovered, and Dorothy has been reunited with her son.

Cast

Production Origin

The film's story originated from three ideas that crystallized in Lynch's mind over a period of time starting as early as 1973.

The first idea was only "a feeling" and the title, as Lynch told Cineaste in 1987.

The second idea was an image of a severed, human ear lying in a field. "I don't know why it had to be an ear. Except it needed to be an opening of a part of the body, a hole into something else ... The ear sits on the head and goes right into the mind so it felt perfect," Lynch remarked in a 1986 interview to The New York Times.

The third idea was Bobby Vinton's 1963 No. 1 chart-topping rendition of "Blue Velvet" and "the mood that came with that song a mood, a time, and things that were of that time."

The scene in which Dorothy appears naked outside was inspired by a real-life experience Lynch had during childhood when he and his brother saw a naked woman walking down a neighborhood street at night. The experience was so traumatic to the young Lynch that it made him cry, and he had never forgotten it.

After completing The Elephant Man (1980), Lynch met producer Richard Roth over coffee. Roth had read and enjoyed Lynch's Ronnie Rocket script, but did not want to produce it. He asked Lynch if the filmmaker had any other scripts, but the director only had ideas. "I told him I had always wanted to sneak into a girl's room to watch her into the night and that, maybe, at one point or another, I would see something that would be the clue to a murder mystery. Roth loved the idea and asked me to write a treatment. I went home and thought of the ear in the field." Production was announced in August 1984. Lynch wrote two more drafts before he was satisfied with the script of the film. The problem with them, Lynch has said, was that "there was maybe all the unpleasantness in the film but nothing else. A lot was not there. And so it went away for a while." Conditions at this point were ideal for Lynch's film: he had made a deal with Dino De Laurentiis that gave him complete artistic freedom and final cut privileges, with the stipulation that he take a cut in his salary and work with a budget of only $6 million (). This deal meant that Blue Velvet was the smallest film on De Laurentiis's slate; consequently, Lynch would be left mostly unsupervised during production. Lynch later stated that "After Dune I was down so far that anything was up! So it was just a euphoria. And when you work with that kind of feeling, you can take chances. You can experiment."

Casting The cast of Blue Velvet included several then-relatively unknown actors.

Lynch met Isabella Rossellini at a restaurant, and offered her the role of Dorothy Vallens. Helen Mirren had been Lynch's first choice for the role. Rossellini had gained some exposure before the film for her Lancôme ads in the early 1980s and for being the daughter of actress Ingrid Bergman and director Roberto Rossellini. After completion of the film, during test screenings, ICM Partners—the agency representing Rossellini—immediately dropped her as a client. Furthermore, the nuns at the school in Rome that Rossellini attended in her youth called to say they were praying for her.

Kyle MacLachlan had played the central role in Lynch's critical and commercial failure Dune (1984), a science fiction epic based on Frank Herbert's novel of the same name. MacLachlan later became a recurring collaborator with Lynch, who remarked: "Kyle plays innocents who are interested in the mysteries of life. He's the person you trust enough to go into a strange world with."GQ, (for the modern man), Kyle MacLachlan, August 1992, Volume 62, Number 8, pp. 134–137, p. 197 Val Kilmer was offered a role in the film, but he turned it down as he felt it was too "graphic" for him, a decision he later regretted. Dourif and Stockwell also rejoined Lynch from Dune.

Dennis Hopper was the best-known actor in the film, having directed and starred in Easy Rider (1969). Hopper—said to be Lynch's third choice (Michael Ironside has stated that Frank was written with him in mind)—accepted the role, reportedly having exclaimed, "I've got to play Frank! I am Frank!" Harry Dean Stanton and Steven Berkoff both turned down the role of Frank because of the violent content in the film.

Laura Dern, then 18 years old, was cast as Sandy after several already-successful actresses turned the role down, including Molly Ringwald. At the time, Dern was enrolled at the University of California, Los Angeles, as a psychology student, but she dropped out two days into the semester to work on the film.

Shooting Principal photography for Blue Velvet began in August 1985 and completed in November. The film was shot at EUE/Screen Gems studio in Wilmington, North Carolina, which also provided the exterior scenes of Lumberton. The scene with a raped and battered Dorothy proved to be particularly challenging. Several townspeople arrived to watch the filming with picnic baskets and rugs, against the wishes of Rossellini and Lynch. However, they continued filming as normal, and when Lynch yelled cut, the townspeople left. As a result, police told Lynch they were no longer permitted to shoot in any public areas of Wilmington.